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	<title>Film Venture Capital</title>
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	<link>http://filmvc.com</link>
	<description>Funds for Your Production</description>
	<pubDate>Fri, 03 Sep 2010 05:00:00 +0000</pubDate>
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		<copyright>&#xA9;James Hirsen - Foundation for Free Expression </copyright>
		<managingEditor>hirsen@earthlink.net (James Hirsen - Foundation for Free Expression)</managingEditor>
		<webMaster>hirsen@earthlink.net(James Hirsen - Foundation for Free Expression)</webMaster>
		<category>Film Finance</category>
		<ttl>1440</ttl>
		<itunes:keywords>film,finance,filmfinance,distribution,market,business,entertainment,movies,production,independent,money</itunes:keywords>
		<itunes:subtitle>Funds for Your Production</itunes:subtitle>
		<itunes:summary>The mystery of how films are financed and distributed is revealed. Legal, financial and business aspects are explored along with the latest entertainment business news.</itunes:summary>
		<itunes:author>James Hirsen - Foundation for Free Expression</itunes:author>
		<itunes:category text="TV &amp; Film"/>
<itunes:category text="Business"/>
<itunes:category text="Education"/>
		<itunes:owner>
			<itunes:name>James Hirsen - Foundation for Free Expression</itunes:name>
			<itunes:email>hirsen@earthlink.net</itunes:email>
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		<itunes:block>No</itunes:block>
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		<title>So Baaad it&#8217;s Good? &#8220;Step Up 3D&#8221; Tells the Honest to Tea Party Truth</title>
		<link>http://filmvc.com/?p=1636</link>
		<comments>http://filmvc.com/?p=1636#comments</comments>
		<pubDate>Fri, 03 Sep 2010 05:00:00 +0000</pubDate>
		<dc:creator>erin</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3334 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p><b>Erin Trahan: So, why did you implore me to see <i>Step Up 3-D</i>?  It’s not exactly an A+ movie, nor is it independent.</b></p>
<p><b>Courtney Sheehan</b>: Dunks. <i>Step Up 3-D</i> is about Nike Dunks. <i>Step Up 3-D</i> is about American values.</p>
<p><b>Trahan: I can watch Tea Party rallies if I want to conflate Nike with American values.  Please elaborate.</b></p>
<p><a href="http://www.independent-magazine.org/magazine/2010/09/Courtney_Sheehan_Erin_Trahan_debate_Step_Up_3D_Nike_dunks_race_dance_teen">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p><b>Erin Trahan: So, why did you implore me to see <i>Step Up 3-D</i>?  It’s not exactly an A+ movie, nor is it independent.</b></p>
<p><b>Courtney Sheehan</b>: Dunks. <i>Step Up 3-D</i> is about Nike Dunks. <i>Step Up 3-D</i> is about American values.</p>
<p><b>Trahan: I can watch Tea Party rallies if I want to conflate Nike with American values.  Please elaborate.</b></p>
<p><a href="http://www.independent-magazine.org/magazine/2010/09/Courtney_Sheehan_Erin_Trahan_debate_Step_Up_3D_Nike_dunks_race_dance_teen">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1636</wfw:commentRss>
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		<item>
		<title>3-D (Like it Used to Be) in ‘53</title>
		<link>http://filmvc.com/?p=1629</link>
		<comments>http://filmvc.com/?p=1629#comments</comments>
		<pubDate>Mon, 30 Aug 2010 05:00:00 +0000</pubDate>
		<dc:creator>erin</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3326 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p>In 1953 and ‘54, this critic was popping the popcorn, changing the marquee, and patrolling the aisles of the Ritz Theater in Indianapolis, making sure couples kept both feet on the floor at all times. Being on staff at a neighborhood movie house as a high school student was the perfect introduction to the film business—particularly to 3-D.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/08/Kurt_Brokaw_3-D_House_of_Wax_Creature_from_Black_Lagoon_Sangaree_Arlene_Dahl">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p>In 1953 and ‘54, this critic was popping the popcorn, changing the marquee, and patrolling the aisles of the Ritz Theater in Indianapolis, making sure couples kept both feet on the floor at all times. Being on staff at a neighborhood movie house as a high school student was the perfect introduction to the film business—particularly to 3-D.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/08/Kurt_Brokaw_3-D_House_of_Wax_Creature_from_Black_Lagoon_Sangaree_Arlene_Dahl">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1629</wfw:commentRss>
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		<title>Exhibitor FAQ: Emerging Pictures</title>
		<link>http://filmvc.com/?p=1628</link>
		<comments>http://filmvc.com/?p=1628#comments</comments>
		<pubDate>Fri, 13 Aug 2010 05:00:00 +0000</pubDate>
		<dc:creator>erin</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3304 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p>With about 70 theatrical venues, <a href="http://emergingpictures.com" />Emerging Pictures</a> is the largest network of digital theaters in the country. Existing and burgeoning theaters pay a fee for its servers, which come with hard drives chock full of specialty films, re-issues, mini-festivals and series, and their biggest hits—cultural programming—including opera and ballet.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/08/Josh_Green_Emerging_Pictures_as_Digital_Exhibitor_and_Distributor">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p>With about 70 theatrical venues, <a href="http://emergingpictures.com" />Emerging Pictures</a> is the largest network of digital theaters in the country. Existing and burgeoning theaters pay a fee for its servers, which come with hard drives chock full of specialty films, re-issues, mini-festivals and series, and their biggest hits—cultural programming—including opera and ballet.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/08/Josh_Green_Emerging_Pictures_as_Digital_Exhibitor_and_Distributor">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1628</wfw:commentRss>
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		<title>The Show Must Go Green</title>
		<link>http://filmvc.com/?p=1624</link>
		<comments>http://filmvc.com/?p=1624#comments</comments>
		<pubDate>Wed, 04 Aug 2010 05:00:00 +0000</pubDate>
		<dc:creator>cristina</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3262 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p>Miranda Bailey's recent film-within-a-film documentary, <i><a href="http://www.greenlit.org" />Greenlit</i></a>, portrays the hopes and eventual challenges of making the production of <i>The River Why</i> "green." There's an initial hope that making the <i>Why</i> production eco-friendly is doable, and even money-saving.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/08/green_filmmaking_tips_miranda_bailey_eva_radke_lauren_selman">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p>Miranda Bailey's recent film-within-a-film documentary, <i><a href="http://www.greenlit.org" />Greenlit</i></a>, portrays the hopes and eventual challenges of making the production of <i>The River Why</i> "green." There's an initial hope that making the <i>Why</i> production eco-friendly is doable, and even money-saving.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/08/green_filmmaking_tips_miranda_bailey_eva_radke_lauren_selman">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1624</wfw:commentRss>
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		<item>
		<title>Distributor FAQ: FilmBuff</title>
		<link>http://filmvc.com/?p=1623</link>
		<comments>http://filmvc.com/?p=1623#comments</comments>
		<pubDate>Fri, 30 Jul 2010 05:00:00 +0000</pubDate>
		<dc:creator>cristina</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3274 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p>FilmBuff is a digital distribution service provided by <a href="http://www.cineticmedia.com/?q=node/9">Cinetic Rights Management</a> (CRM). Although FilmBuff is less than three years old, its sister company, Cinetic Media, has been a major player in film sales since 2001.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Chris_Horton_FilmBuff_talks_digital_distribution">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p>FilmBuff is a digital distribution service provided by <a href="http://www.cineticmedia.com/?q=node/9">Cinetic Rights Management</a> (CRM). Although FilmBuff is less than three years old, its sister company, Cinetic Media, has been a major player in film sales since 2001.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Chris_Horton_FilmBuff_talks_digital_distribution">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1623</wfw:commentRss>
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		<title>Fantasia&#8217;s Programmer Simon Laperrière Wants You to See More Genre Films</title>
		<link>http://filmvc.com/?p=1621</link>
		<comments>http://filmvc.com/?p=1621#comments</comments>
		<pubDate>Fri, 30 Jul 2010 05:00:00 +0000</pubDate>
		<dc:creator>cristina</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3268 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p>Montréal’s Fantasia International Film Festival may well be the largest film fest you’ve never heard of. If you haven’t been following genre film at all, you might be excused...but not for much longer.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Simon_Laperriere_on_programming_genre_film_Fantasia_International_Film_Festival">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p>Montréal’s Fantasia International Film Festival may well be the largest film fest you’ve never heard of. If you haven’t been following genre film at all, you might be excused...but not for much longer.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Simon_Laperriere_on_programming_genre_film_Fantasia_International_Film_Festival">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1621</wfw:commentRss>
		</item>
		<item>
		<title>How an Innovative Web Doc Secured Traditional Distribution</title>
		<link>http://filmvc.com/?p=1620</link>
		<comments>http://filmvc.com/?p=1620#comments</comments>
		<pubDate>Thu, 15 Jul 2010 05:00:00 +0000</pubDate>
		<dc:creator>courtney</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3237 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p><a href="http://prisonvalley.arte.tv/?lang=en"><i>Prison Valley</i></a>, a multimedia prison reform project, tells the tale of Fremont County, Colorado: a tiny patch of the Southwest packed with 13 prisons and a local economy that revolves around the incarceration of 7,735 people—many of whom are the county’s own residents.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Prison_Valley_web_doc_by_David_Dufresne_and_Philippe_Brault_finds_distribution">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://prisonvalley.arte.tv/?lang=en"><i>Prison Valley</i></a>, a multimedia prison reform project, tells the tale of Fremont County, Colorado: a tiny patch of the Southwest packed with 13 prisons and a local economy that revolves around the incarceration of 7,735 people—many of whom are the county’s own residents.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Prison_Valley_web_doc_by_David_Dufresne_and_Philippe_Brault_finds_distribution">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1620</wfw:commentRss>
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		<item>
		<title>A Meeting of Worlds: YouTube Biennial at the Guggenheim</title>
		<link>http://filmvc.com/?p=1618</link>
		<comments>http://filmvc.com/?p=1618#comments</comments>
		<pubDate>Fri, 09 Jul 2010 05:00:00 +0000</pubDate>
		<dc:creator>courtney</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3228 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p><a href="http://www.guggenheim.org" />The Guggenheim Museum</a>: one of the art world’s most venerable institutions, home of masterpieces from the Impressionist movement to the modern era.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/guggenheim_and_youtube_play_biennial">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.guggenheim.org" />The Guggenheim Museum</a>: one of the art world’s most venerable institutions, home of masterpieces from the Impressionist movement to the modern era.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/guggenheim_and_youtube_play_biennial">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1618</wfw:commentRss>
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		<item>
		<title>Exhibitor and Distributor FAQ: Seattle&#8217;s Northwest Film Forum</title>
		<link>http://filmvc.com/?p=1616</link>
		<comments>http://filmvc.com/?p=1616#comments</comments>
		<pubDate>Fri, 02 Jul 2010 05:00:00 +0000</pubDate>
		<dc:creator>courtney</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3218 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p>Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing production grants and access to equipment and post-production facilities. The Film Forum also boasts a 364-day exhibition calendar of independent films, many of which are hard to come by at other theaters in the region.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Courtney_Sheehan_Adam_Sekuler_talk_Northwest_Film_Forum_film_funding_production_exhibition+">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p>Located in Seattle, the Northwest Film Forum (NWFF) is an invaluable resource for independent filmmakers in the Pacific Northwest, providing production grants and access to equipment and post-production facilities. The Film Forum also boasts a 364-day exhibition calendar of independent films, many of which are hard to come by at other theaters in the region.</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/07/Courtney_Sheehan_Adam_Sekuler_talk_Northwest_Film_Forum_film_funding_production_exhibition+">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1616</wfw:commentRss>
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		<item>
		<title>Funder FAQ: Playboy&#8217;s Surprising Mission</title>
		<link>http://filmvc.com/?p=1614</link>
		<comments>http://filmvc.com/?p=1614#comments</comments>
		<pubDate>Mon, 28 Jun 2010 05:00:00 +0000</pubDate>
		<dc:creator>cristina</dc:creator>
		
		<category><![CDATA[Film Finance]]></category>

		<guid isPermaLink="false">3168 at http://www.independent-magazine.org</guid>
		<description><![CDATA[<p><i>Damned in the U.S.A.</i> (1991)<br />
<i>Heart of the Matter</i> (1994)<br />
<i>In the Family</i> (2008)<br />
<i>The Most Dangerous Man in America</i> (2010)<br />
<i>The Times of Harvey Milk</i> (1984)<br />
<i>When Billy Broke His Head…. And Other Tales of Wonder</i> (1999)</p>
<p>What do all these films have in common?</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/06/playboy_foundation_documentary_postproduction_fundraising_guidelines">read more</a></p>]]></description>
			<content:encoded><![CDATA[<p><i>Damned in the U.S.A.</i> (1991)<br />
<i>Heart of the Matter</i> (1994)<br />
<i>In the Family</i> (2008)<br />
<i>The Most Dangerous Man in America</i> (2010)<br />
<i>The Times of Harvey Milk</i> (1984)<br />
<i>When Billy Broke His Head…. And Other Tales of Wonder</i> (1999)</p>
<p>What do all these films have in common?</p>
<p><a href="http://www.independent-magazine.org/magazine/2010/06/playboy_foundation_documentary_postproduction_fundraising_guidelines">read more</a></p>]]></content:encoded>
			<wfw:commentRss>http://filmvc.com/?feed=rss2&amp;p=1614</wfw:commentRss>
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